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But to be fair for music platforms young people are indeed the focus of most attention and they have also become the biggest focus of the giants. NetEase Cloud Music has always emphasized that more than  of the platforms users are born in the s and s Tencent Music launched MOO Music acquired Douban FM and launched Kugou Music concept version all of which are targeting the young market the rising star Soda Music in recent years Also start from trendy categories such as rap to ment the younger music market.


The reason may lie in two particularities of the music platform. On the one hand content communities need an active UGC atmosphere and first and secondtier young users are naturally the most active groups on the Inte Job Seekers Phon France Telegram Number Data e Numbers List rnet. Bilibili under huge pressure to make profits. Some people in the public opinion field continue to question: Users of Bilibili lack commercial value and the socalled huge potential may not be realized at all. Station B itself is constantly making balances and compromises using some methods that may offend young people in exchange for cost reduction and efficiency improvement.





But what attracts more attention is this community where young people and seconddimensional people gather at a high density. It has an enviable discussion atmosphere and secondary entrepreneurship vitality. It has a unique ecological niche on the Internet and various venture capital and capital tycoons use real Jin Baiyin is firmly optimistic about the future of Station B.For content platforms like music apps the value of young users is the same. This is why NetEase Cloud Music has a higher premium in the capital market through the creation of a music community. On the other hand the more fundamental problem is: music is naturally a business for young people.